Well, today got trippy (again). I think I may be tired. I also realise it’s been a really long time since I posted a play. I will work back and find them all at some point. If nothing else, just to prove I dids the deeds. Albeit without my usual level of planning or panache *cough*, but f*** it. You only enter 29 Plays Later every four years, right? You may also notice some… ummmm… ‘creative recycling’. This is all part of the challenge. Take a first line and then build the play around it. I couldn’t decide so I ‘borrowed’ a few lines, here and there.
Please also check out the stirling, stunning work of AJ Dehany. I’m a big fan, you should be too. Just saying. Read his 29 Plays Later trauma, I mean, experience here: https://ajdehany.wordpress.com/
Anyway, here goes:
ACT ONE
SCENE ONE – THE END
A small meeting room in a bland corporate office.
JONATHAN, 32, and SINGH, 24, sit either side of a table. There is a portable cassette player between them recording what they say.
JONATHAN
In the beginning, sometimes I left messages in the street.
SINGH
And that seemed the sensible thing to do?
JONATHAN
At the time, yes.
SINGH
Why?
JONATHAN
The flying monkeys went on strike. Have you ever tried to get someone a note when the Flonkey service is down?
SINGH
No never.
JONATHAN
Then you will never know the torment.
SINGH
Of that I am relieved.
JONATHAN
I mean the Flonkey service is obviously now all automated. The poor bastards are being laid off left, right and centre. There’s now a massive void in the centre so the coelacanths are moving in. Problem is they get the letters so very wet. Sad times. But when I was a teenager, the only way was a flying monkey telegram.
SINGH
Cool.
JONATHAN
So what is it, exactly, that you want to know?
SINGH
You’re a legend. You know that right?
JONATHAN
I don’t think that’s a question.
SINGH
But you are. Everyone wants to be you. You discovered the blancmange paradox, unearthed the benefits of Panpsychism and discovered the Volkswagen Beetle is actually an armadillo ancestor.
JONATHAN
Still don’t know what you are asking.
SINGH
Sir Jonathan Larkin.
JONATHAN
Yes.
SINGH
Will you marry me?
JONATHAN
You didn’t get on one knee or anything. This is atrocious. This is an insult and a half.
SINGH
Oh sir, I meant no disrespect. I just want to be your wife.
JONATHAN
I think my husband might object to that.
SINGH
Oh really, do they normally?
JONATHAN
Depends on the colour of the sunrise. Red sky at night, marriage alright. Red sky at morning, marriage is a bleeding disaster. I get asked to marry people maybe two, three times a week these days. Used to be more in my younger days, after the Mars mission.
SINGH
Ah, the Mars mission.
JONATHAN
Yes. The Mars mission. Fame is very fleeting, and when it goes it tends to take the house, the kids and the dog.
SINGH
Any regrets?
JONATHAN
The dog. The dog definitely. And Coraline.
SINGH
Coraline?
JONATHAN
(Sings)
Coraline, Coraline, oh beauty, will you be mine, Coraline, Coraline, oh.
SINGH
That’s beautiful, Sir Jonathan. Was she the love of your life?
JONATHAN
No, a face cream. My Godfather used to wear it. Nothing more manly than going to bed with a stiff cock and two inches of pink cream slathered on your face.
SINGH
The old ways are always the best, correct sir?
JONATHAN
Indeed. Anything else to add?
SINGH
It just been an incredible privilege to meet you. And, sir, did you know Quark is both a kind of curd cheese and a building block for physics.
JONATHAN
My boy… I invented both!
SINGH
Ah, of course sir! Just to finish off. All those messages, you left around town. Who were they for?
JONATHAN
Passepartout. Jean Passepartout. My right hand woman. Couldn’t have lived without her, in my younger days.
There is a commotion outside the office. Neither men pay much attention.
SINGH
I will now play back the recording. Just to make sure it’s taken.
SINGH presses play on the recorder. A totally different conversation is played, between an elderly couple about what they are having in their tea. One of the couple is clearly deaf and comic mis-hearings happen.
JONATHAN
Perfect. All this modern technology really blows your mind.
SINGH
I know, right. I can’t imagine growing up without this. And it keeps all those pencils in employment.
JONATHAN
Very important. Leave a group of pencils to get restless and you’ve got an uprising on your hands. Look what happened on Sofia? The whole of the Bulcans, shot to bits; full of lead.
More commotion outside. The sound of people running up and down the corridor screaming. Thunder.
SINGH
One more thing, Sir Jonathan.
JONATHAN
Yes, of course.
SINGH
I don’t suppose you ever considered a water birth?
JONATHAN
No. That would be silly.
SINGH
Ah I see.
JONATHAN
Epidural all the way.
SINGH
Ha. I am glad to hear it. Sir, it really was charming to meet you.
SINGH holds out his hand to JONATHAN. They shake warmly. SINGH picks up the take recorder and his coat, and bag. He has a huge grin on his face.
JONATHAN starts filling his bubble pipe.
SINGH
Bye.
SINGH opens the door, waving awkwardly. As the door opens the sound of a storm become palpable. He gets hit my lightening, bursts into flame and dies a pile of ashes.
JONATHAN looks up. A severe STORM enters the room. Lots of wind, rain, thunder and lightning. It fills the whole room. JONATHAN has to shout to be hurt.
JONATHAN
Oh no, not another bloody one.
STORM
BOOM BOOM BOOM BOOM!
JONATHAN
Where would you like me to sign?
STORM
BOOM BOOM BOOOOOOOOM!
JONATHAN
Where would you like me to sign?
JONATHAN pulls a large black marker pen from a pocket.
STORM
BOOM BOOM BOOM BOOM and BOOOM!
JONATHAN writes his signature and a dedication on one of the walls.
JONATHAN
Here. Here. Here. Here and here. To Mrs Storm, From your favorite agony aunt, physicist and gurner, Little Jonny Larkin. Kiss. Kiss.
JONATHAN picks up the wall and hands it to the STORM. The STORM puts it under its arm.
STORM
BOOM BOOM BOOM!
JONATHAN
Anytime, always glad to meet a fan of my work on waterproofing.
STORM
BOOOOOOOOM!
JONATHAN
All hail the Supreme Space Commander of the Universe and lifetime honourary President of Croydon, Sarah Brightman!
JONATHAN salutes. The STORM salutes back. The STORM backs out of the room. JONATHAN sits back down and smokes his bubble pipe. In the background the STORM can be seen chasing and electrocuting office workers with gay abandon.
JONATHAN just sits and bubbles.
JONATHAN
Ah, Passepartout.
BLACKOUT.
SCENE TWO – BEGINNING
A cafe outside a square, in Paris. A warm sunny day. There are people drinking tea and smoking bubble paraphenalia at most tables. They almost all have a GRANDMOTHER with them. It’s an idylic scene. Jonathan is at a table with his GRANDMOTHER, talking to her. At a table not far away, sit PASSEPARTOUT, a very attractive half elephant, half woman. She sits and reads a bigography of Sarah Brightman, while her GRANDMOTHER gums cake.
JONATHAN
In the last quarter of the twentieth century, at a time when Western civilization was declining too rapidly for comfort and yet too slowly to be very exciting, much of the world sat on the edge of an increasingly expensive theater seat, waiting–with various combinations of dread, hope, and ennui–for something momentous to occur.
At that point. JONATHAN’S GRANDMOTHER explodes.
JONATHAN
Oh.
Then all the GRANDMOTHERS explode. Everyone and the square, is covered in GRANDMOTHER.
JONATHAN
Sod it.
PASSEPARTOUT
Are you ok, monsieur?
JONATHAN
Yes. Just blood annoying. I just got her on a free upgrade. Is there a lot of that going round?
PASSEPARTOUT
Vrai. It’s an epidemic. Something to do with the last 9 point zero two upgrade.
JONATHAN
Ah, I see. Dammit. I usually wait to make sure there are no upgrades but the Genius in store insisted.
PASSEPARTOUT
Ah, tis the way of the world. I have the name of a very reputable used Grandmother dealer if you like. Very reasonable.
JONATHAN
Thank you. That would be super.
PASSEPARTOUT
(getting tea towels and Swafega from her bag)
Here, take my spare tea towel and this tub of Swafega. Clean yourself up.
JONATHAN
Oh. Thank you. Very kind.
PASSEPARTOUT
Pas de probleme.
JONATHAN
Jonathan Larkin.
PASSEPARTOUT
Jean Passepartout. My friends call me Passepartout. Or at least they would. If they weren’t imaginary.
JONATHAN
I always wanted imaginary friends. What’s it like?
PASSEPARTOUT
Superb. Some of them are just passing through. Liek Celine. Say bon jour Celine.
JONATHAN
Bonjour Celine. Charmed.
PASSEPARTOUT and JONATHAN wave at an empty space.
PASSEPARTOUT
Que? Non. That is rude Davide.
JONATHAN
What’s wrong?
PASSEPARTOUT
Oh, Davide wants to know if you are single and fancy a drink tonight.
JONATHAN
No.
PASSEPARTOUT
You are not single.
JONATHAN
No. I don’t fancy, a drink with Davide.
PASSEPARTOUT
La!
JONATHAN
But if you asked…
PASSEPARTOUT
Oh… well, would you like a drink tonight?
JONATHAN
Yes. Please.
PASSEPARTOUT
Fantastic. I will see you at the old apple tree on the edge of town. Tonight. Say 7:30?
JONATHAN
Great.
PASSEPARTOUT
Then au revior. All hail the Supreme Space Commander of the Universe and lifetime honourary President of Croydon, Sarah Brightman!
JONATHAN
Bye.
PASSEPARTOUT leaves, waving over her shoulder. JONATHAN waits til she’s extited. He high fives DAVIDE who is invisible.
JONATHAN
Amamzing work my friend. Been trying to catch her eye for months. That so much for the hand. Here, I owe you a drink. Waiter!? Two beers, sil vous plait!
BLACKOUT.
SCENE THREE – LATER
The apple tree. Night. Stars. JONATHAN is there already. He has been setting up his space pod and a picnic rug with wine and some food on it. A large unopened box is next to the rug, containing his new GRANDMOTHER.
PASSEPARTOUT enters.
PASSEPARTOUT
Bon soir.
JONATHAN
Hello.
PASSEPARTOUT
You got a new Grandmother I see?
JONATHAN
Oh, no. Second hand. From the chap you recommended in fact.
PASSEPARTOUT
Ah, you got my Flonkey. Bon. Shall we get her out of the box?
JONATHAN
No. Not quite yet. Let’s have a drink.
PASSEPARTOUT
Ok.
JONATHAN
Passepartout?
PASSEPARTOUT
Yes.
JONATHAN
I have something to tell you and it might come as a surprise.
PASSEPARTOUT
I already know.
JONATHAN
You do?
PASSEPARTOUT
Yes, you are physicist and world champion gurner Jonathan Larkin. You are famous. And I couldn’t care less. Though your work on transcendental dentistry changed my life-
JONATHAN
You’re a dentist?
PASSEPARTOUT
Car mechanic. But they are very similar.
JONATHAN
Amamzing. But no. It’s not that.
PASSEPARTOUT
Then what?
JONATHAN
Passepartout. I love you. I have loved you for thirteen weeks, thirteen days, thirteen hours, thirteen minutes and eleven seconds.
PASSEPARTOUT
Really? I think I love you to.
JONATHAN
Really? But that’s amazing!
PASSEPARTOUT
I know.
JONATHAN
But there’s more.
PASSEPARTOUT
Really? Are you pregnant?
JONATHAN
No. Passepartout. I have to tell you. I have been selected for a solo mission to Mars.
PASSEPARTOUT
But that’s… How long will you be gone.
JONATHAN
About a week, all told.
PASSEPARTOUT
But we only just met. That is such a long time.
JONATHAN
I know. But I would like you to wait for me.
PASSEPARTOUT
When do you go?
JONATHAN
Now.
PASSEPARTOUT
Now?
JONATHAN
Right now.
JONATHAN drags the Grandmother in a box to the space craft and jams it in. PASSEPARTOUT goes to help. The speak under the action.
PASSEPARTOUT
Non. I can’t bear it.
JONATHAN
Stay strong. Wait for me. Good bye.
PASSEPARTOUT
Good bye Jonathan. Good bye.
JONATHAN
all hail the Supreme Space Commander of the Universe and lifetime honourary President of Croydon, Sarah Brightman!
JONATHAN jumps in the pod before it can leave without him, he hangs on the side waving and blowing air kisses to her. The pod takes off with JONATHAN in it. PASSEPARTOUT watches him go. She waves. She stands on stage for a bit. There is the sounds of crickets. An owl hoots. She waits a but longer. She gets bored and goes home.
Time moves on. A dinosaur enters and dies. The body rots to a skeleton. There’s an ice age. A star explodes in the sky, sending stars scattering like snooker balls. A red star goes into a pocket there is a cheer. A lizard evolved into a bigger lizard and then a lizard man. Time moves on.
SCENE FOUR – EVEN LATER
JONATHAN lands his Mars pod back next to the apple tree. He falls out of the pod. He has a bunch of motorway service station flowers and a large card with teddy bears and hearts all over it.
JONATHAN
Passepartout. Passepartout. Passepartout. I must have been away longer than a week. (He checks his GRANDMOTHER) & billion years. Noooooooooooooooooo! How could she not wait for me?! PASSEPARTOUT!!
JONATHAN rips out his HEART. There is copious amounts of blood from the empty chest cavity. HEART does a cute little dance and sings a cute song. JONATHAN joins in. JONATHAN pats HEART on it’s head.
JONATHAN
That was lovely. Thank you. Now is the time for you to go it alone. Here take this.
JONATHAN gives HEART a little bundle on a stick, which he makes from his cape and a branch from the apple tree.
JONATHAN
Run my pretty, be free!
The HEART gives a little wave and wanders off with it’s bundle on a stick. HEART exits.
JONATHAN
(Waving)
Be sure to write. I’ll miss you little fellow.
JONATHAN passes out from blood loss.
BLACKOUT.
SCENE FOUR – MIDDLE
JONATHAN is sitting at a wooden desk smoking a bubble cigarette. His has a type writer in front of him. It types as he dictated to it. His is gazing at lots of little bits of blank white card. There is a plate of biscuits in the desk, as well as a pile of thumb tacks.
JONATHAN
The Miss Lonelyhearts of the New York Post-Dispatch (Are you in trouble?—Do-you-need-advice?—Write-to-Miss-Lonelyhearts-and-she-will-help-you) sat at his desk and stared at a piece of white cardboard. The most hailed physicist and gurner of his generation, he was now filling his days, in a dead end job as an agony aunt. Which is farless painless than it sounds, even is the chairs are made from thumb tacks.
JONATHAN reaches down and pulls a tack from his bottom. He adds it to the pile on his desk.
He pulls out the piece of paper from the typewriter. He reads it.
JONATHAN
Well done, perfect in fact. Have a biscuit.
The typewrite reaches over and helps itself daintily to a biscuit which it then proceeds to consume.
The EDITOR, a bilateral triangle, sticks his head round the door.
EDITOR
Hey, Miss Lonelyhearts, how’s it going?
JONATHAN
Oh well, well.
EDITOR
Is your heart lonely yet?
JONATHAN
Yes. Getting there.
EDITOR
Where is it?
JONATHAN
Well according to my last letter, my heart is somewhere between Scarborough and San Fruttuoso, Italy.
EDITOR
(With tears welling up.)
That’s sad. That’s sad indeed. I mean. Scarborough.
JONATHAN
(Also beginning to cry.)
Yes. I know.
EDITOR
This is the saddest story I have ever heard. It’s ok buddy, cry it out. Cry it out.
Both blow their noses on over-large handkerchiefs from their pockets.
JONATHAN
Ta very much, boss. How’s the editing going?
EDITOR
Ah it’s all chop and change. You know how it is.
JONATHAN
I can imagine.
EDITOR
(Sitting on the desk.)
I have one question to ask…
JONATHAN
Sir you’re full of tack
EDITOR
Thank you.
JONATHAN
No you’re literally full of tacks. Your right angle has got them all stuck in it.
EDITOR
I was wondering what the itching sensation was.
They take the tacks out of the EDITOR.
EDITOR
Where was I…?
JONATHAN
Asking me about the little bits of paper I keep sticking up all over the city.
EDITOR
Yes. Those.
JONATHAN
They are for a girl, sir.
EDITOR
Are you trying to buy one? Is this some sort of new currentcy?
JONATHAN
No. I can’t find her. I left her alone for 7 billion years to pursue a mission to Mars, only to find she’s up sticks when I got back.
EDITOR
Ah, these fickle, fickle dames.
JONATHAN
She wasn’t in panto. She was more a circus sort.
EDITOR
Say no more. Say no more. What a peach!
JONATHAN
Yes. And an apple. And a pear. And a Durian.
EDITOR
How did you meet her?
JONATHAN
It was a bright cold day in April, and the clocks were striking thirteen. It all started… Well, it was the day my grandmother exploded.
EDITOR
Ah the great outbreak of exploding grandmothers in ’96?
JONATHAN
Yes. And her grandmother had exploded, so she lent me a tea towel and a tub of Swarfega. She even helped me pick out a new grandmother from the catalog.
EDITOR
That was a good year to be in grandmothers. I got out of the business in ’93. I cursed I can tell you. Would have got the little isosceles’ through school and got the old rhomboid and chain a nice coat.
JONATHAN
That was unlucky.
EDITOR
Not as unlucky as you, pal.
JONATHAN
No, it was my own fault. I took her for granted somewhat. But we told each other everything. And now I miss her so much.
EDITOR
It’s funny. Don’t ever tell anybody anything. If you do, you start missing everybody. Right, must go and edit stuff. Like trees, dogma and reality.
JONATHAN
Right.
EDITOR
Oh, one thing. There’s some broad here to see you. Says you haven’t answered her lonely heart letters. She’s been sending them by Flonkey daily.
JONATHAN
Oh god. Do I have to see her.
EDITOR
Yeah. Sorry.
JONATHAN
God.
EDITOR
(Shouting round the door.)
He will see you now.
The EDITOR waves and leaves. He winks at the woman who enters as he leaves. It’s:
PASSEPARTOUT stands in the doorway. She is very quiet. She has HEART by the hand. She puts her finger to her lips to remind HEART to keep quiet.
JONATHAN doesn’t hear them or turnaround. Just sighes.
PASSEPARTOUT
So… Dear Misses Lonelyhearts.
I lost my heart to a starship trooper. He never returned my calluses. Or wrote to me. Or came to look for me. Non. He left silly bits of paper all round New York.
JONATHAN
No… It can’t be…
PASSEPARTOUT
I mean… what an arrogant, Swarfega stealing-
JONATHAN
Passepartouy!
JONATHAN turns round. PASSEPARTOUT smiles at him. He jumps up and scoops her into his arms.
JONATHAN
Passepartout. Passepartout. Never leave me again.
PASSEPARTOUT
Never, mon amour.
JONATHAN
Where have you been?
PASSEPARTOUT
Ah, here and there. Paris, Rome, the Mariana Trench. I joined the French Foreign Legion-
JONATHAN
To forget?
PASSEPARTOUT
No to… You know what, I can’t remember. But I couldn’t get away from loving you.
JONATHAN
Amen, and all hail the Supreme Space Commander of the Universe and lifetime honourary President of Croydon, Sarah Brightman!
BOTH
All hail!
PASSEPARTOUT
Also, there’s a little man here who missed you?
JONATHAN
Heart? Heart? You are back too?!
PASSEPARTOUT
Yes. I found him wandering around the Birmingham Bullring a couple of days ago. He was very sad and lost.
JONATHAN
Why, aorta…
JONATHAN and HEART hug.
JONATHAN
Let’s never be apart. Ever again.
They BOTH lip sync to Sarah Brightman’s ‘I Fell in Love with a Starship Trooper’.
BLACKOUT.